<span style="display: inline-block; font-family: Sans-serif; line-height: 1; margin: 0px; border: 0px none; padding: 0px;" class="wpaudio-container"><a style="color: rgb(34, 68, 255); text-decoration: none; margin: 0px; border: 0px none; padding: 0px; font-family: Arial,Sans-serif; font-size: 18px; font-weight: bold; letter-spacing: -1px;" href="http://micro.soonlabel.com/17-ET/daily20110706_kontakt_kept_in_the_cellar.mp3" class="wpaudio">Kept in the Cellar</a></span> is a piece for piano, percussion, and <a href="http://chrisvaisvil.com/?p=908">processed street signs</a>
in 17 edo. <br>
The street sign sounds represent my first foray into
making a pitched Kontakt sample set with assign keyboard areas. As it is
this piece sounds a bit to me like it came from a horror movie – thus
the title.<br>
The street sign samples were processed by the new Paul's Extreme Stretch
in "tonal" mode which reduced noise and made it possible for Audacity's
fast Fourier transform to pick out the fundamental and overtones and
allowed me to assign a pitch. More or less this does seem to be
operational over the 4 samples that make up the kontakt "sample
instrument" though there are still some rough transitions.<br>
<br>
online play and download<br>
<br>
<a href="http://chrisvaisvil.com/?p=1014">http://chrisvaisvil.com/?p=1014</a>