[Peace-discuss] Some Phil Ochs songs fromthe 60's that have relevance today
David Green
davegreen84 at yahoo.com
Mon Jan 17 21:20:01 CST 2011
Well, the music was well-received, but only by the 3 students attending. I think
that it would probably be better tactically to have a class based on the
experience of the soldiers' rebellion against the Vietnam War. I heard a while
back that Vietnam is rarely taught on college campuses. I wonder why?
________________________________
From: Morton K. Brussel <brussel at illinois.edu>
To: David Green <davegreen84 at yahoo.com>
Sent: Mon, January 17, 2011 4:53:14 PM
Subject: Re: [Peace-discuss] Some Phil Ochs songs fromthe 60's that have
relevance today
Is another "short course" at Uni High possible/feasible? It is needed. How was
yours received? --mkb
On Jan 17, 2011, at 1:57 PM, David Green wrote:
I've attached a "syllabus" of 1960s folk-protest music that I developed for a
short course at Uni High a few years back; it concludes with an article by
Howard Zinn.
>
>DG
>
>
>
________________________________
From: Laurie Solomon <ls1000 at live.com>
>To: peace-discuss <peace-discuss at lists.chambana.net>
>Sent: Mon, January 17, 2011 11:08:22 AM
>Subject: [Peace-discuss] Some Phil Ochs songs fromthe 60's that have relevance
>today
>
>
>Here are links to three Phil Ochs tunes that are as relevant today as they were
>in the 1960s. The first can be applied to many of the current batch of
>so-called progressives, leftists, and social activists along with the Liberals
>of today and the not so distant past. The second tune represents a commentary
>on the immigration issues and policies of 60s but is relevant top the topic of
>immigration in the current atmosphere where use and abuse exploitation of
>immigrants for the benefits of the mostly white establishment when expedient and
>discrimination and racism when no longer needed continues only in a more
>paranoid form. The thirds song speaks to the manufacturing of consent and
>control of the boundaries of acceptable dissent and debate by the establishment
>and its minions.
>
>Phil Ochs was and still is a troubadour/political activist of the highest order
>from the sixties who wrote insightful songs of critical social commentary on the
>topics of the day back in the the 60s and up until his death of the first order
>and on a par with Bob Dylan’s best work. Most of these songs are relevant
>today. He should not be forgotten, which is why I am calling attention to him
>and his work.
>
>Enjoy!
>
>Love me, I'm a Liberal:
>http://www.myspace.com/philochs-45781725/music/songs/love-me-i-m-a-liberal-28443234
>
>
>Brasero:
>http://s0.ilike.com/play#Phil+Ochs:Bracero:780058:s28443226.9491884.14059234.0.2.118%2Cstd_30949a3e505d41c597b8fb4f1f06bcc5
>
>
>I'm Going to Say it now:
>http://s0.ilike.com/play#Phil+Ochs:I%27m+Going+To+Say+It+Now:645270:s19610031.9491884.14059234.0.2.45%2Cstd_2d5fb734a3e14ca29594204cac17b9a7
>
>
>
>--------------------------------------------------------------------------------------------------------------------------------------------------------------------------
>
>I asked God for a bike, but I know God doesn't work that way. So I stole a bike
>and asked for forgiveness.
>Whenever I fill out an application, in the part that says "If an emergency,
>notify:" I put "DOCTOR".
>Why does someone believe you when you say there are four billion stars, but
>check when you say the paint is wet?
>Why do Americans choose from just two people to run for president and 50 for
>Miss America ?
>Going to church doesn't make you a Christian any more than standing in a garage
>makes you a car.
>Light travels faster than sound. This is why some people appear bright until you
>hear them speak.
><1960s Folk Protest Music.doc>_______________________________________________
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>
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