[Peace-discuss] Fw: When You Wish Upon A Star... by Michael Moore
Al Kagan
akagan at uiuc.edu
Sun May 9 22:03:50 CDT 2004
>>
>>Sent: Friday, May 07, 2004 9:40 PM
>>Subject: When You Wish Upon A Star... by Michael Moore
>>
>>When You Wish Upon A Star... by Michael Moore
>>
>>May 7th, 2004
>>
>>Friends,
>>
>>Thank you for all the incredible letters of
>>support as my film crew and I once again slog
>>our way through the corporate media madhouse.
>>Does it ever end? Are we ever going to get
>>control of our "free press" again? Can you wish
>>upon a star?
>>
>>The Disney spin machine has been working
>>overtime dealing with this censorship debacle
>>of theirs. I don't think they thought they
>>would ever be outed. After all, they know that
>>all of us are supposed to adhere to the
>>unwritten Hollywood Code: Never tell the public
>>how business is done here, never let them have
>>a peek at the man behind the curtain.
>>
>>Disney has been hoping for nearly a year that
>>they could keep this thing quiet. As I promised
>>on Wednesday, here are the details behind my
>>sordid adventure with the Magic Kingdom:
>>
>>In April of 2003, I signed a deal with Miramax,
>>a division of the Walt Disney Co., to finance
>>and distribute my next movie, Fahrenheit 9/11.
>>(The original financier had backed out; I will
>>tell that story at a later date.) In my
>>contract it is stated that Miramax will
>>distribute my film in the U.S. through Disney's
>>distribution arm, Buena Vista Distribution. It
>>also gives Miramax the rights to distribute and
>>sell the movie around the world.
>>
>>A month later, after shooting started, Michael
>>Eisner insisted on meeting with my agent, Ari
>>Emanuel. Eisner was furious that Miramax signed
>>this deal with me. According to Mr. Emanuel,
>>Eisner said he would never let my film be
>>distributed through Disney even though Mr.
>>Eisner had not seen any footage or even read
>>the outline of the film. Eisner told my agent
>>that he did not want to anger Jeb Bush, the
>>governor of Florida. The movie, he believed,
>>would complicate an already complicated
>>situation with current and future Disney
>>projects in Florida, and that many millions of
>>dollars of tax breaks and incentives were at
>>stake.
>>
>>But Michael Eisner did not call Miramax and
>>tell them to stop my film. Not only that, for
>>the next year, SIX MILLION dollars of DISNEY
>>money continued to flow into the production of
>>making my movie. Miramax assured me that there
>>were no distribution problems with my film.
>>
>>But then, a few weeks ago when Fahrenheit 9/11
>>was selected to be in the Cannes Film Festival,
>>Disney sent a low-level production executive to
>>New York to watch the film (to this day,
>>Michael Eisner has not seen the film). This
>>exec was enthusiastic throughout the viewing.
>>He laughed, he cried and at the end he thanked
>>us. "This film is explosive," he exclaimed, and
>>we took that as a positive sign. But
>>"explosive" for these guys is only a good word
>>when it comes to blowing up things in movies.
>>OUR kind of "explosive" is what they want to
>>run from as fast as they can.
>>
>>Miramax did their best to convince Disney to go
>>ahead as planned with our film. Disney
>>contractually can only stop Miramax from
>>releasing a film if it has received an NC-17
>>rating (ours will be rated PG-13 or R).
>>
>>According to yesterday's New York Times, the
>>issue of whether to release Fahrenheit 9/11 was
>>discussed at Disney's board meeting last week.
>>It was decided that Disney should not
>>distribute our movie.
>>
>>Earlier this week we got the final, official
>>call: Disney will not put out Fahrenheit 9/11.
>>When the story broke in the New York Times,
>>Disney, instead of telling the truth, turned
>>into Pinocchio.
>>
>>Here are my favorite nuggets that have come out
>>of the mouths of their spinmeisters (roughly
>>quoted):
>>
>>"Michael Moore has known for a year that we
>>will not distribute this movie, so this is not
>>news." Yes, that is what I thought, too, except
>>Disney kept sending us all that money to make
>>the movie. Miramax said there was no problem. I
>>got the idea that everything was fine.
>>
>>"It is not in the best interests of our company
>>to distribute a partisan political film that
>>may offend some of our customers." Hmmm. Disney
>>doesn't distribute work that has partisan
>>politics? Disney distributes and syndicates the
>>Sean Hannity radio show every day? I get to
>>listen to Rush Limbaugh every day on
>>Disney-owned WABC. I also seem to remember that
>>Disney distributed a very partisan political
>>movie during a Congressional election year,
>>1998a film called The Big One... by, um... ME!
>>
>>"Fahrenheit 9/11 is not the Disney brand; we
>>put out family oriented films." So true. That's
>>why the #1 Disney film in theaters right now is
>>a film called, KILL BILL, VOL. 2. This
>>excellent Miramax film, along with other
>>classics like Pulp Fiction, have all been
>>distributed by Disney. That's why Miramax
>>exists -- to provide an ALTERNATIVE to the
>>usual Disney fare. And, unless they were NC-17,
>>Disney has distributed them.
>>
>>"Mr. Moore is doing this as a publicity stunt."
>>Michael Eisner reportedly said this the other
>>day while he was at a publicity stunt cutting
>>the ribbon for the new "Tower of Terror" ride
>>(what a pleasant name considering what the
>>country has gone through recently) at Disney's
>>California Adventure Park. Let me tell you
>>something: NO filmmaker wants to go through
>>this kind of controversy. It does NOT sell
>>tickets (I can cite many examples of movies who
>>have had to change distributors at the last
>>minute and all have failed). I made this movie
>>so people could see it as soon as possible.
>>This is a huge and unwanted distraction. I want
>>people discussing the issues raised in my film,
>>not some inside Hollywood fracas surrounding
>>who is going to ship the prints to the
>>theaters. Plus, I think it is fairly safe to
>>say that Fahrenheit 9/11 has a good chance of
>>doing just fine, considering that my last movie
>>set a box office record and the subject matter
>>(Bush, the War on Terror, the War in Iraq) is
>>at the forefront of most people's minds.
>>
>>So what will happen to my movie? I still don't
>>know. What I do know is that I will make sure
>>all of you see it by hook or crook. We are
>>Americans. There are a lot of screwed up things
>>about us right now, but one thing that most of
>>us have in common is that we don't like someone
>>telling us we can't see something. We despise
>>censors, and the worst censors are those who
>>would dare to limit thoughts and ideas and
>>silence dissent. THAT is un-American. If I have
>>to travel across the country and show it in
>>city parks (or, as one person offered
>>yesterday, to show it on the side of his house
>>for the neighborhood to see), that is what I
>>will do.
>>
>>More to come, stay tuned.
>>
>>Yours,
>>
>>Michael Moore
>><http://www.michaelmoore.com>http://www.michaelmoore.com
>><mailto:mmflint at aol.com>mmflint at aol.com
>>
>>P.S. Be sure to check out yesterday's New York
>>Times Editorial, "Disney's Craven Behavior"
>>
>><http://www.nytimes.com/2004/05/06/opinion/06THU4.html?ex=1084420800&en=dd695e1433b69ff3&ei=5062&partner=GOOGLE>http://www.nytimes.com/2004/05/06/opinion/06THU4.html?ex=1084420800&en=dd695e1433b69ff3&ei=5062&partner=GOOGLE
--
Al Kagan
African Studies Bibliographer and Professor of Library Administration
Africana Unit, Room 328
University of Illinois Library
1408 W. Gregory Drive
Urbana, IL 61801, USA
tel. 217-333-6519
fax. 217-333-2214
e-mail. akagan at uiuc.edu
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